Born on October 1st, 1937, Lawrence M. “Larry” Poons is an American abstract painter. Poons, who was up in Tokyo, Japan, attended the New England Conservatory of Music from 1955 to 1957 with the goal of becoming a full-time musician.
He gave up writing music and enrolled at the School of the Museum of Fine Arts, Boston, after viewing Barnett Newman’s show at French and Company in 1959. He also pursued his education at the New York Art Students League. Poons currently instructs at The Art Students League after teaching there from 1966 to 1970. (since 1997)
Net Worth of Larry Poons
|Date Of Birth||1937|
|Place Of Birth||Tokyo, Japan|
The range of Larry Poons’s net worth or income is between $400,000 . His major occupation as an artist has brought him enormous wealth.
Throughout his career, Poons, who is associated with Op Art, Hard-edge painting, Color Field painting, Lyrical Abstraction, and Abstract Expressionism, has defied critics’ assumptions by moving through various distinct stages of work.
Roberta Smith, a critic for the New York Times, writes that Mr. Poons “has shown a strong penchant for allover fields of throbbing color, even though his means of attaining them have altered enormously since his emergence in the 1960s.” With paintings of circles and ovals on solid—often brilliantly colored—backgrounds, Poons originally gained notoriety in the 1960s.
Op art was used to describe these works, which are frequently referred to as the Dot paintings since they suggested motion. Poons was a client of the Green Gallery in the early 1960s, along with artists Donald Judd, Claes Oldenburg, and Lucas Samaras.
He appeared on stage with Leo Castelli in the latter half of the 1960s. Although he participated in an exhibition with optical painters in 1965, by 1966 he had switched to looser, more painterly abstract works. Despite widespread criticism of Poons’ departure from dot paintings, Frank Stella praised the artist’s development and left a thank-you message at the artist’s gallery.
In 1968, his work Brown Sound was included on the cover of Artforum’s Summer issue. Poons was included in the 1972 documentary Painters Painting: The New York Art Scene 1940–1970 by Emile de Antonio, and he was the subject of the 1966 movie Manual of Arms by Hollis Frampton.
Along with Jasper Johns, Donald Judd, Roy Lichtenstein, Lee Bontecou, Frank Stella, Robert Rauschenberg, Robert Morris, and James Rosenquist—all of whom had worked together on a series of prints through Leo Castelli—Poons is also featured in Andy Warhol’s 1967 Portrait of the Artists.
Paul Tschinkel, a filmmaker, produced a documentary on Poons’s art in 1999, titled Larry Poons: On Making Art: ART/New York No. 51. Along with Jeff Koons, Gerhard Richter, and Njideka Akunyili Crosby, Poons is a featured character in Nathaniel Kahn’s 2018 documentary The Price of Everything.
The Albright-Knox Art Gallery in Buffalo, the Art Institute of Chicago, the Cleveland Museum of Art, the Hirshhorn Museum and Sculpture Garden, the Metropolitan Museum of Art, the Museum of Contemporary Art in Los Angeles
The Museum of Fine Arts in Boston, the Museum of Fine Arts in Houston, the Museum of Modern Art in New York, the Philadelphia Museum of Art, the Santa Barbara Museum of Art, and The Sackler Gallery Are Just a Few of The Numerous Collections that Own Works by Larry Poons.
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